I was first introduced to Stewart Simons’ work last year through Humble Arts. The image published by Humble came from Stewart’s project “Don’t Leave This World Without You,” consisting of 60 images shot across the country. Stewart began the project in 2003 when he returned to the U.S. after living and working in England for five years.
A lot had happened in those 5 years. When I returned America seemed different. What began as a literal attempt to document that difference eventually became snap shots of travels, snippets of moments, still lifes of places and things.
Since his return, Stewart’s work has appeared in W, The Fader, Another Magazine, Dazed and Confused, Rolling Stone and ESPN Magazine. Currently, Stewart is editing his commissioned project “Taxi 07.” He is also preparing for his next long-term project titled “The Hunters.”
I really enjoy Cyrille Weiner’s work. Cyrille, living in France, explores “the way people appropriate both urban and natural spaces. He compares how premises are designed with their uses and the individual experiences associated therewith.” His project, Jours de fêtes, is one of my favorites. Much of Cyrille’s work is editorial and appears in publications such as Nova Magazine, Le Monde, and Colors Magazine.
Nuclear Waste Encapsulation and Storage Facility, Cherenkov Radiation
Hanford Site, U.S. Department of Energy
Southeastern Washington State
Submerged in a pool of water at Hanford Site are 1,936 stainless steel nuclear waste capsules containing cesium and strontium. Combined, they contain over 120 million curies of radioactivity. It is estimated to be the most curies under one roof in the United States. The blue glow is created by the Cherenkov Effect or Cherenkov radiation. The Cherenkov Effect describes the electromagnetic radiation emitted when a charged particle, giving off energy, moves faster than light through a transparent medium. The temperatures of the capsules are as high as 330 degrees Fahrenheit. The pool of water serves as a shield against radiation; a human standing one foot from an unshielded capsule would receive a lethal dose of radiation in less than 10 seconds.
Taryn Simon’s An American Index of the Hidden and Unfamiliar opened today at the Whitney. A very exciting show indeed. I walked through the exhibition in astonishment. Many of the images I had seen online but still felt surprised when viewing the prints. If you make it to the show check out the book found next to the exhibition entry. A few recent articles on Taryn can be found here and here.
Jason Falchook is one of many exciting contributers to Garth Risk Hallberg’s project A Field Guide to the North American Family. In his stimulating series “Contours and Detours”, Jason questions “our connection to the spaces we develop and inhabit.” Jason Falchook has a show opening March 9th at Civilian Art Projects in Washington, DC.